A vivid snapshot of America's journey from Victorian-era propriety to 20th-century modernity. Step into the perfumed parlors of the Everleigh Club, the most famous brothel in American history--and the catalyst for a culture war that rocked the nation. Operating in Chicago at the dawn of the 20th century, the Club welcomed moguls and actors, senators and athletes, foreign dignitaries and literary icons into a stately double mansion, and the Everleigh sisters treated their girls far better than most madams. But not everyone appreciated their attempts to elevate the industry.
Two siblings with very different personalities attempt to take control of their mother's food obsession and massive weight gain to save her life after their father walks out and leaves her reeling in the Chicago suburbs.
In Depression-era Chicago, Harper Curtis finds a key to a house that opens on to other times. But it comes at a cost. He has to kill the shining girls: bright young women, burning with potential. He stalks them through their lives across different eras until, in 1989, one of his victims, Kirby Mazrachi, survives and starts hunting him back. Working with an ex-homicide reporter who is falling for her, Kirby has to unravel an impossible mystery.
Todd Gilbert and Jodie Brett are in a bad place in their relationship. They've been together for twenty-eight years, and with no children to worry about there has been little to disrupt their affluent Chicago lifestyle. But there has also been little to hold it together, and beneath the surface lie ever-widening cracks. When it becomes clear that their precarious world could disintegrate at any moment, Jodie knows she stands to lose everything. It's only now she will discover just how much she's truly capable of.
Born in upper-crust black Chicago--Margo Jefferson's father was for years head of pediatrics at Provident, the nation's oldest black hospital; her mother was a socialite--Margo Jefferson has spent most of her life among the colored aristocracy, the colored elite, the blue-vein society. Since the 19th century they have stood apart, these inhabitants of Negroland, "a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty."
Reckoning with the strictures and demands of Negroland at crucial historical moments--the civil rights movement, the dawn of feminism, the fallacy of postracial America--Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions.
The daughter of a prominent Chicago judge and his socialite wife, inner-city art teacher Mia Dennett is taken hostage by her one-night stand, Colin Thatcher, who, instead of delivering her to his employers, hides her in a secluded cabin in rural Minnesota to keep her safe from harm.
An account of the Chicago World's Fair of 1893 relates the stories of two men who shaped the history of the event--architect Daniel H. Burnham, who coordinated its construction, and serial killer Herman Mudgett.
Passionately in love, Clare and Henry vow to hold onto each other and their marriage as they struggle with the effects of Chrono-Displacement Disorder, a condition that casts Henry involuntarily into the world of time travel.
Eager for something physical to do in the spirit-exhausting wake of 9/11, V.I. accepts a request from an old client to check up on an empty family mansion; sub-sequently surprises an intruder in the dark; and, giving chase, topples into a pond. Grasping for something to hold on to, her fingers close around a lifeless human hand. It is the body of a reporter who had been investigating events of forty-five years earlier, during the McCarthy era, and V.I.'s discovery quickly sucks her into the history of two great Chicago families-their fortunes intertwined by blood, sex, money, and the scandals that may or may not have resulted in murder all these years later.
There was nothing surprising about men turning up dead in Jazz Age Chicago. But two murders that spring were special, or so believed Maurine Watkins, a "girl reporter" for the Chicago Tribune, the city's "hanging paper." Newspaperwomen were supposed to write about clubs, cooking and clothes, but the intrepid Miss Watkins zeroed in on murderers instead. She made "Stylish Belva" Gaertner and "Beautiful Beulah" Annan--both of whom had brazenly shot down their lovers--the talk of the town. Soon more than a dozen women preened and strutted on "Murderesses' Row" as they awaited trial, desperate for the same attention that was being lavished on Maurine Watkins's favorites.
Anabelle Granger endeavors to promote her grandmother's matchmaking business by landing sports agent Heath Champion as a client, an effort that is challenged by Heath's arrogant nature and Annabelle's own unexpected feelings.
For Chicago sociology professor Amelia Emmet, violence was a research topic--until a student she'd never met shot her. He also shot himself. Now he's dead and she's back on campus, trying to keep up with her class schedule, a growing problem with painkillers, and a question she can't let go: Why?
Reymundo Sanchez was a lost boy–disowned by a physically abusive mother and stepfather and sent to live with a stepbrother who couldn’t care less whether he came home or not. Reymundo soon learned that survival on the streets depended on whom he counted among his friends and to which gang he belonged. Initiated into the Latin Kings by performing his first hit at the age of 14, Lil Loco, as he became known, quickly earned a reputation for crazy violence. For 10 years a 30-block area of Chicago defined his reality. It was his kingdom when he rode the highs of gang life, and his hell when he lived the lows. Here is the story of his odyssey through the ranks of the new mafia, where the only people more dangerous than rival gangs are the members of your own.
Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic. Set in Chicago in the 1930s, Richard Wright's novel is just as powerful today as when it was written -- in its reflection of poverty and hopelessness, and what it means to be black in America.