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The Greek goddess Aphrodite recounts two tales of tragic love during WWI to her husband, Hephaestus, and her lover, Ares, in a luxe Manhattan hotel room at the height of World War II. She seeks to answer the age-old question: "Why are Love and War eternally drawn to one another?" but her quest for a conclusion that will satisfy her jealous husband uncovers a multi-threaded tale of prejudice, trauma, and music revealing that War is no match for the power of Love.
For fourteen-year-old budding artist Minoru Ito, her two brothers, her friends, and the other members of the Japanese-American community in southern California, the three months since Pearl Harbor was attacked have become a waking nightmare: attacked, spat on, and abused with no way to retaliate--and now things are about to get worse, their lives forever changed by the mass incarcerations in the relocation camps.
A Vietnam War refugee in Texas partners with a city boy with rodeo dreams to track down the younger brother she was separated from six years before when he was evacuated by American troops during the waning days of the Vietnam War.
Biggie Smalls was right. Things done changed. But that doesn't mean Quadir and Jarrell are cool letting their best friend Steph's music lie forgotten under his bed after he is murdered—not when his rhymes could turn any Bed-Stuy corner into a party, not after years of having each other's backs. With the help of Steph's younger sister, Jasmine, who is eager to see justice for her brother, Quadir and Jarrell come up with a plan to promote Steph's music under a new rap name: the Architect. Soon, everyone wants a piece of him. But when his demo catches the attention of a hotheaded music label rep, the trio must race to prove Steph's talent from beyond the grave. As the pressure and danger of keeping their secret grows, Quadir, Jarrell, and Jasmine are forced to confront the truth about what happened to Steph. Only each has something to hide. And with everything riding on Steph's fame, they must decide what they stand for or lose all they've worked so hard to hold onto, including each other.
"1890, Atlanta. By day, seventeen-year-old Jo Kuan works as a lady's maid for the cruel Caroline Payne, the daughter of one of the wealthiest men in Atlanta. But by night, Jo moonlights as the pseudonymous author of a newspaper advice column for 'the genteel Southern lady.'"
Seventeen-year-old Lily Hu can't remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father--despite his hard-won citizenship--Lily and Kath risk everything to let their love see the light of day.
It’s 2003, several months since the US officially declared war on Iraq, and the American political world has evolved. Tensions are high, hate crimes are on the rise, FBI agents are infiltrating local mosques, and the Muslim community is harassed and targeted more than ever. Shadi, who wears hijab, keeps her head down. She's too busy drowning in her own troubles to find the time to deal with bigots. Shadi is named for joy, but she’s haunted by sorrow. Her brother is dead, her father is dying, her mother is falling apart, and her best friend has mysteriously dropped out of her life. And then, of course, there’s the small matter of her heart— It’s broken. Shadi tries to navigate her crumbling world by soldiering through, saying nothing. She devours her own pain, each day retreating farther and farther inside herself until finally, one day, everything changes. She explodes.
It's 1989 in New York City, and for three teens, the world is changing. Reza is an Iranian boy who has just moved to the city with his mother to live with his stepfather and stepbrother. He's terrified someone will guess the truth he can barely acknowledge about himself. Reza knows he's gay, but all he knows of gay life are the media's images of men dying of AIDS. Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance, until she falls for Reza and they start dating. Art is Judy's best friend, their school's only out-and-proud teen. He'll never be who is conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs. As Reza and Art grow closer, Reza struggles to find a way out of his deception which won't break Judy's heart and destroy the most meaningful friendship he's ever known.
Seventeen-year-old Isaiah Wilson is, on the surface, a town troublemaker, but is hiding that he is an avid reader and secret poet, never leaving home without his journal. A passionate follower of W.E.B. Du Bois, he believes that black people should rise up to claim their place as equals.Sixteen-year-old Angel Hill is a loner, mostly disregarded by her peers as a goody-goody. Her father is dying, and her family's financial situation is in turmoil. Also, as a loyal follower of Booker T. Washington, she believes, through education and tolerance, that black people should rise slowly and without forced conflict. Though they've attended the same schools, Isaiah never noticed Angel as anything but a dorky, Bible toting church girl. Then their English teacher offers them a job on her mobile library, a three-wheel, two-seater bike. Angel can't turn down the money and Isaiah is soon eager to be in such close quarters with Angel every afternoon. But life changes on May 31, 1921 when a vicious white mob storms the community of Greenwood, leaving the town destroyed and thousands of residents displaced. Only then, Isaiah, Angel, and their peers realize who their real enemies are.
In 1860 Louisiana, eighty-year-old Madame Sylvie decides to sit for a portrait, as horrific stories that span generations from the big house and the fields are revealed.